As each day passes, the volume of music increases as spring's advance continues. The song thrush continues his daily tuneful diatribe and indeed, elsewhere in the locality, I am hearing other such thrushes giving voice more than has been the case for years. That resurgence I spoke of a week ago, is here at least, a pleasing and increasing reality - a very satisfactory fact of life. But if the thrushes oft-repeated ditties are currently topping the charts, others are joining the chorus, literally putting television's "The Voice" to shame!
And at last I have heard the first cheerful chuntering of a chaffinch, a song which always seems to me to be a bit of a jumble, as if its perpetrator is somehow unsure as to which notes come next and thus stutters through his verses. Someone once likened this, one of the most familiar of spring songs, to the action of a bowler in cricket running up to deliver the ball! It also reminds me (partially of my own frailties on the dance floor) of a dancer who repeatedly finds her or himself having to adjust their steps due to having forgotten them in the first place and thus, like the aforementioned bowler stuttering round the dance floor!
Another jumble of notes issues from the throat of a humble dunnock, a bird previously often dubbed, a 'hedge sparrow'. The dunnock is definitely not a sparrow! Indeed, this is a bird, which although similarly brown in colour, is altogether more delicately formed than the much chunkier house sparrow. It is also a possessor of a very fine beak as opposed to the distinctly stout 'neb' of the more 'up-front' speug! It is to all intents and purposes, a much shyer and retiring bird as well, surreptitiously working around the periphery of the gangs of chaffinches and sparrows as it picks up unpretentiously whatever morsels it can.
Yet, if the dunnock may give the impression that it is therefore 'lightweight' in its approach to life and unlike the more forward and argumentative sparrows, meek and mild, nothing could be further from the truth. Among dunnocks in early spring, initially there is a role reversal in which the females establish territories not the males. The females also provide the early bursts of song too. But then along comes a male to take over. Often a second male may also enter and even share in the defence of that territory although one of the two will soon assume the dominant role. However, often, at the instigation of the female, the 'subsidiary, second class' male may be found secretly having an affair with the female!
The rapidly delivered but quite sweet music of the dunnock does not even begin to compete with the amazing rat-a-tat-tat voluminous delivery of the wren, now also an increasingly vibrant addition to the growing chorus. I doubt if any bird quite matches the assertive nature of the vocal territorial claims of jenny wren, not even the robins, of which there are clearly many for during my meanderings, I always seem to be travelling from one robin territory to another.
Of course, one of the functions of song is to proclaim territorial integrity and issue stern challenges to other cock robins. Sometimes in the nature of redbreasts of course, such challenges are taken up and conflict ensues ... sometimes so intense that it is to the death! And yet, I always think that redbreast music lacks the deliberate and repeating structure demonstrated by the wren. Robins somehow blurt out their sweet notes, as Eric Morecambe once so memorable said, "I am playing all the right notes but not necessarily in the right order!"
In stark contrast to the sweetness of the robins, a foursome of carrion crows demonstrated their welcome to spring rather more raucously. Clearly there were two pairs of them, all bowing and scarping at one another, their coarse cawing a rather rude awakening compared with the surrounding melody of tuneful songs. Periodically the two males came together in short bouts of conflict almost as if to show off their prowess to the watching females and demonstrate their suitability as 'husbands'.
However, down at the loch, there was a demonstration of the very antithesis of springtime music as a bevy of swans suddenly arrived - sixteen of them I counted. If mute swans are not entirely mute, they do not greet springtime with anything resembling song, for apart from their familiar and aggressive hissing and an occasional grunt, mute swans leave the music to other avian classes. However, they are not entirely bereft of music for when they fly the 'soughing' of their wings does indeed produce a pleasing and very musical, 'mewing' sound.
Why this sudden appearance in such numbers I cannot explain, albeit that in recent months I have seen similar gatherings of these 'galleons in the sky' grazing in fields not that far away from our loch. Make no mistake, these are truly wild birds although mute swans were formerly - until the late eighteenth century - ironically referred to as 'tame swans'. And indeed, they are pretty universally distributed. They may be seen in considerable numbers in the wilds of the Outer Hebrides, where they are very numerous and incidentally, notoriously shy. But of course they are familiar on city park ponds, both urban and rural stretches of canals, popular riversides and coastal harbours. These more familiar swans are by comparison with their Hebridean cousins, outrageously bold! Wherever there is water, there can usually be found, mute swans.
And, not only are they to be seen universally, they are, in many parts of the globe, at the heart of some of the ancient legends that have come down through history. The symbolic nature of the swan is hardly surprising when one considers the graceful form of the bird, especially when it is upon the water. For instance, there are early Bronze and Iron Age images of swans to found on both metal and pottery artefacts. And of course, in Greek mythology, swans were the birds of Apollo and drew his chariot.
But the strangest tales seem to come from closer to home, in the Emerald Isle, where there were well entrenched beliefs that people, when they died, took on the forms of swans, albeit that like most myths, this one takes on different forms depending on where you happened to have lived in Ireland. And this has, for a long time, been a royal bird. As early as in 1387, England's Edward III passed legislation to protect swans and Henry VIII decreed that anyone stealing a swan's egg would be imprisoned for a year!
Perhaps the strangest tale concerns the swans, which disappeared from Linlithgow Loch when Cromwell invaded Scotland but returned when the Monarchy was restored. And of course there are legends about swans singing when they are about to die. Well, if there is any truth to that story, it wouldn't concern mute swans. Whoopers, those winter visiting swans, flute melodiously, so any singing would be down to them!
As the tempo of the avian choir increases, there is one thing for sure. Those mute swans won't be joining in!